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Danny Elfman

"I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference."

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"I think that's one of the things that has always put me in kind of an odd niche. It's that all of my understanding of orchestral music is via film, not via classical music like it's supposed to be. To me it's the same, it doesn't make any difference."

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"Music is the melody whose text is the world."

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"Harpists spend half their life tuning and the other half playing out of tune."

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"Miranda raised her eyebrows. Apparently she hadn't figured me for a country music fan. I liked her for that."

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"Music is the language of the soul and the expression of deep inner feelings."

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"Music is the art of the prophets and the gift of God."

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"What is my definition of jazz? 'Safe sex of the highest order."

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"They say that the eyes of some paintings can follow you around the room, a fact that I doubt, but I am wondering whether some music can follow you for ever."

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"No one can any longer write in the fat style of Strauss. That was killed by Stravinsky. He stripped the body of much of its clothes. Music is the craft of building structures with sound and that is what Stravinsky represents."

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Amber Hurdle

"Music is healing and soothing. It is the universal language of kindness and love."

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"Poetry fettered, fetters the human race. Nations are destroyed or flourish in proportion as their poetry, painting, and music are destroyed or flourish."

Explore more quotes by Danny Elfman

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Danny Elfman
"Doing Tim's film is always going to be the most pleasure. Let me just put it that way. So, without drawing favorites one way or the other, getting back with him and doing Mars Attacks! was certainly a special treat."
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"I like creating these rhythmic patterns. These interlocking rhythmic things are really fun."
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"I'll look back and I'd be better to answer that in about three months from now. Or when the movie comes out and I see it. I don't even know what it is yet. I've still been in the middle of it."
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Danny Elfman
"The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult."
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Danny Elfman
"Or certainly I would need time - which I would love to have but there almost never is on a film - to just spend a week with a roomful of guys laying down these patterns."
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Danny Elfman
"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."
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Danny Elfman
"So I've learned in the past, if a company approaches me and they want something like this, or something like that that I've done and I turn them down, they're going to do it anyhow."
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Danny Elfman
"Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room."
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Danny Elfman
"In some types of music I'm working out all the chords one bar at a time - the whole structure, because it's about that. And there are other pieces which are really about - okay, the melody is going to start here and play through to here."
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Danny Elfman
"Oh see, first off you gotta realize - everything for me is a reconstruction or deconstruction. I would actually say deconstruction. Mission: Impossible would be the exception. That would be a reconstruction- deconstruction."
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