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"I was worried in the '80s that the best abstract painting had become obsessed with materiality, and painterly gestures and materiality were up against the wall."
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"Turning one's novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed."

"I have not written in vain if I have heretofore done anything towards diminishing the reputation of the Renaissance landscape painting."

"Painting n: the art of protecting flat surfaces from the weather and exposing them to the critic."

"A painting shouldn't be just a picture, it should be a philosophy."

"One of the most difficult things to do is to paint darkness which nonetheless has light in it."

"Frankly, these days, without a theory to go with it, I can't see a painting."

"Painting seems like some kind of peculiar miracle that I need to have again and again."
Explore more quotes by Frank Stella

"Up until 35 I had a slightly skewed world view. I honestly believed everybody in the world wanted to make abstract paintings, and people only became lawyers and doctors and brokers and things because they couldn't make abstract paintings."

"Architecture can't fully represent the chaos and turmoil that are part of the human personality, but you need to put some of that turmoil into the architecture, or it isn't real."

"I don't like a lot of the stuff that goes on in the art world, but it's hard to be old and like what goes on around you."

"But, after all, the aim of art is to create space - space that is not compromised by decoration or illustration, space within which the subjects of painting can live."

"When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out."

"I want to make exalted art. A successful image has pictorial lift. I am looking for whatever is up there."

"No art is any good unless you can feel how it's put together. By and large it's the eye, the hand and if it's any good, you feel the body. Most of the best stuff seems to be a complete gesture, the totality of the artist's body; you can really lean on it."
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