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Leo Ornstein

"I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music."

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"I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music."

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Akiroq Brost

"I can see me continuing to make the best music I can, and let the chips fall where they may."

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Akiroq Brost

"88% of what we call good songs aren't really good. They merely remind us of a good time we once had."

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Akiroq Brost

"I just really longed to do music that reflected me as an adult and music that I thought was for other adults."

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Akiroq Brost

"Anything I do has to be directly related to my music. If it isn't, I don't really see a point to it."

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Akiroq Brost

"I see music as one language. If one musical form eats its own tail, it dies. So it needs to be a mongrel, it needs to be hybridised."

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Akiroq Brost

"So all of the music had reference, or is inspired by something of the dharma that I've come in contact with."

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Akiroq Brost

"A song has to become as much a part of you as a tailored suit."

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Akiroq Brost

"There's nothing to compare to live music, there just isn't anything."

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Akiroq Brost

"That's where it begins and ends for me and these songs were the ones that touched me the deepest. It was like I was laying hold of some part of me that I didn't even know was there until I let it out."

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Akiroq Brost

"In country music the lyric is important and the melodies get a little more complex all the time, and you hear marvelous new singers who are interested in writing and interpreting a lyric and in all form of popular music."

Explore more quotes by Leo Ornstein

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Leo Ornstein
"There are some people, by the way, that associate a certain amount of visualization with the performance of music. Those are people that really are not centrally concerned only with music, the traditional things."
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Leo Ornstein
"We can use techniques in modifying things, in controlling things, but the first impulse has to be something that you simply cannot make just out of technique, or else it becomes perfectly evident that it is nothing but technique that you're exercising."
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Leo Ornstein
"I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing."
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Leo Ornstein
"The danger of that - and there's a grave danger that I, myself, have to be very aware of - is that you become so involved and intrigued in the language that sometimes you lose track that that is only a means to an aesthetic experience that the listener has to get."
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Leo Ornstein
"Of all the arts, music is really the most abstract."
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Leo Ornstein
"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."
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Leo Ornstein
"In writing music, the structure of each piece is a very important factor."
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Leo Ornstein
"Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided."
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Leo Ornstein
"I think there have been some periods when the writing almost became a bit of a burden."
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Leo Ornstein
"No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music."
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