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"Generally, you are held to a sound and that becomes your sound. That gets branded as your sound, and all the copycats start with it because the labels are looking for that sound."
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"Instead of following one another the sounds overlap; a sound which is acoustically perceived as coming after another one can be articulated simultaneously with the latter or even in part before it."
Author Name
Personal Development
"Sound is often talked about in a very subjective way, as if it had a colour. This is a bright sound, this is a dark sound. I don't believe in that because I think that is much too subjective."
Author Name
Personal Development
"Locations are all tough, all miserable. I never left the sound stage for 18 years at Warners. We never went outside the studio, not even for big scenes."
Author Name
Personal Development
"I think I have a basic sound aesthetic that is in most of what I do."
Author Name
Personal Development
"I wanted something very dense, something that would sustain long and more pieces of wood that would be soft, sweet, for more of a mellow sound."
Author Name
Personal Development
"In particular what is most important to me is the transformation of a sound by slowing it down, sometimes extremely, so that the inner of sound becomes a conceivable rhythm."
Author Name
Personal Development
"This continuity of sound and form was something that I became really interested in from working with Ligeti. He was always going on about how form has to be continuous."
Author Name
Personal Development
"I realized that equipment really had little to do with why I sound like the way I sound."
Author Name
Personal Development
"You'll find that empty vessels make the most sound."
Author Name
Personal Development
"I also used these realistic sounds in a psychological way. With The Good, the Bad and the Ugly, I used animal sounds - as you say, the coyote sound - so the sound of the animal became the main theme of the movie."
Author Name
Personal Development
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"I learned at an early age that I was given something special when I was born, and that was the gift of music."
Age
"Those albums are so important to me because, for the first time, I was making my own music, paying for it, finding strengths in it, and going through the process of finding the right music for the record."
Music
"To add an AC outlet, for example, you just drill a circular hole in the wall, tap into the wiring, add the outlet and you're set. If you don't want it, pull it out and plaster over it with more earth to seal the hole."
Earth
"When you play all that as a body of work there are four great songs, four mediocre songs and four bad songs. I didn't know it at the time; I was just doing my best."
Work
"The local music community here was dying for a place to record, so we started doing acoustic, folk and bluegrass and then did rock projects for other bands, as well as for my son Tal and my own work."
Music
"I don't think that bands that make it on their first album are as strong as bands that don't: there is nowhere to go but down."
First
"Generally, you are held to a sound and that becomes your sound. That gets branded as your sound, and all the copycats start with it because the labels are looking for that sound."
Sound
"I listened to it last night for the first time since we started this project. I went out to my car and put it in and went to an empty parking lot and just listened and read the little pamphlet that came with it. After two or three songs I burst into tears."
Car
"Every night we all felt grateful to be there, stunned at the amount of people that are there, and stunned at their reactions. They go crazy; they know every lyric from eight years of age to eighty. It's unbelievable."
Age
"When you get successful, you can do pretty much whatever you want."
Success
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