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"I don't think of poetry as a 'rational' activity but as an aural one. My poems usually begin with words or phrases which appeal more because of their sound than their meaning, and the movement and phrasing of a poem are very important to me."
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"That men, who might have tower'd in the vanOf all the congregated world, to fanAnd winnow from the coming step of timeAll chaff of custom, wipe away all slimeLeft by men-slugs and human serpentry,Have been content to let occasion die,Whilst they did sleep in love's Elysium."

"You should be more carefulwhen you move, my dearwhat with you...spilling moonlightinto my poem, with a mereflick of your hand."

"My love is a winter's mistgently dissolvingthrough the windowat the nape of your neck."

"In the endit is wordspoetry. sunsetssomeone's deep blue silk voice.mountain scents.someone's smile.eyes. that we haveno defenses against."

"Good poetry does not exist merely for the sake of itself, but rather, is a byproduct of yearning and growth; great poetry canonizes that yearning for the growth of others."

"Poems can getsleepless tooand becomethe loneliest thingin the universe."

"The mint from your breath, the milk from your breast, the best of your mind, now in its worst state of condition. From the womb to the tomb, as a mild flower, you break your petals upon blossom, and seize death openly. Leaving your fragrance to spin and dance, one last time before being blown away."

"A poet is not an inventor. A poet is a player that plays with words on the field of human imagination to excite a reader's mind with the colors of emotion."

"A poem can't do its work if you only read snippets of it."
Explore more quotes by Margaret Atwood

"And then she began to cry, and when I asked her why she was doing that, she said it was because I was to have a happy ending, and it was just like a book; and I wondered what books she'd been reading."

"Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon..."

"All you have to do, I tell myself, is keep your mouth shut and look stupid. It shouldn't be that hard."

"Men and women tried each other on, casually, like suits, rejecting whatever did not fit."

"Writers are much better behaved nowadays, for a couple of reasons. Once upon a time nobody was thinking of a career, unless you lived in New York, so there wasn't as much pressure to present a respectable exterior. And secondly, there was no social media. So if you were found face down on the floor - people did do that quite a bit; usually men, but not always - or fell through plate glass windows or got into scrapes, it became a rumour, and rumours are hard to pin down."

"I was taking something away from her, although she didn't know it. I was filching. Never mind that it was something she apparently didn't want or had no use for, had rejected even; still, it was hers, and if I took it away, this mysterious "it" I couldn't quite define."

"I sink down into my body as into a swamp, fenland, where only I know the footing. I'm a cloud, congealed around a central object, the shape of a pear, which is hard and more real than I am and glows red within its translucent wrapping. Inside it is a space, huge as the sky at night and dark and curved like that, though black-red rather than black."

"Falling in love, although it resulted in altered body chemistry and was therefore real, was a hormonally induced delusional state, according to him. In addition it was humiliating, because it put you at a disadvantage, it gave the love object too much power. As for sex per se, it lacked both challenge and novelty, and was on the whole a deeply imperfect solution to the problem of intergenerational genetic transfer."
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