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"Any ground subtracts its own hue from the colors which it carries and therefore influences."
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"I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings."

"The makeup is simply an extension of the personality and colors, clothing, makeup all express something."

"Any ground subtracts its own hue from the colors which it carries and therefore influences."

"I'll never forget the fall colors on the Berkshires."

"The colors I choose there was to paint the first hotel, the Disneyland Hotel. Because of the cloudy sky we had in Paris, it had to be a particular kind of color who will fight those grey days. And also something you can see when you're driving up 'There it is! We're arriving!'"

"I used this line to demonstrate how important colors are in movies: It's not a caprice."

"Novel writing should never be confused with journalism. Unfortunately, in the case of Primary Colors, a fair number of journalists confused."

"Colors must fit together as pieces in a puzzle or cogs in a wheel."
Explore more quotes by Josef Albers

"It is not so for art in appreciation because art is concerned with human behavior. And science is concerned with the behavior of metal or energy. It depends on what the fashion is. Now today it's energy. It's the same soul behind it. The same soul, you see."

"In visual perception a color is almost never seen as it really is - as it physically is. This fact makes color the most relative medium in art."

"My father's parents were carpenters. They were also builders partly. They were painters. And several of them were very, active in the theatre and all such nonsense, you know."

"Simultaneous contrast is not just a curious optical phenomenon - it is the very heart of painting."

"Apprentice is the beginner - the first years you work in a craft in the European sense you are an apprentice. That takes 3 or 4 years. Then you are a journeyman. You can go from one master to another and learn other tricks and other secrets."

"The aim of our studies is to prove that color is the most relative means of artistic expression, that we never really perceive what color is physically."

"It was my family that wanted me to be a teacher. That was safe, you see. To be a painter was terrible."

"I went to the Academy and studied with Stuck who was then a big man. But didn't interest me. I didn't know that before me there was Kandinsky and Klee who had also studied with Stuck. He had a good name at that time."

"Instead of art I have taught philosophy. Though technique for me is a big word, I never have taught how to paint. All my doing was to make people to see."
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