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Anne Stevenson

"Each word bears its weight, so you have to read my poems quite slowly."

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"Each word bears its weight, so you have to read my poems quite slowly."

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Donna Grant

"I would not say I chose to write long poems on a conscious level. The long poem has been a relative constant."

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Donna Grant

"Almost anything is too much. I am trying in my poems to have the reader be the experiencer. I do not want to be there. It is not even a walk we take together."

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Donna Grant

"I was writing notes, but not composing poems. The Hunter began to develop out of this fragmented process."

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Donna Grant

"I sometimes like to tinker with poems that have failed, ones that I have sent aside. Even years afterward, I will revisit them if there is something about them that I cannot give up on."

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Donna Grant

"The title of the poems was The Only Bar in Dixon. We sent it out to The New Yorker on a fluke, and they took them and printed all three in the same issue."

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Donna Grant

"I would like to be proud of having written some poems that will be remembered, but I will never know whether I will have any reason to be proud of that."

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Donna Grant

"I like poems you can tack all over with a hammer and there are no hollow places."

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Donna Grant

"I was very committed to the process of composing, working at poems, putting things together and taking them apart like some kind of experimental filmmaker."

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Donna Grant

"As a friendly one. I would still like to write concrete poems, but I can only do it sometimes."

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Donna Grant

"I consider my films to be poems that are all as personal as my writing and as hand-made."

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Anne Stevenson
"I did know Ted Hughes and I partly wrote the book to explain to myself and others the complexities of a marriage that was for six years wonderfully productive of poetry and then ended in tragedy."

Marriage

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Anne Stevenson
"I am now seventy, rather glad, really, that I won't live to see the horrors to come in the 21st century."

Now

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Anne Stevenson
"I write, or used to write, to explain to myself situations I couldn't otherwise solve or understand. Meditation comes very naturally to me."

Reflection

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Anne Stevenson
"When everything is for 'fun' nothing is for the good."

Nothing

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Anne Stevenson
"A poem might be defined as thinking about feelings - about human feelings and frailties."

Emotional

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Anne Stevenson
"Poets should ignore most criticism and get on with making poetry."

Poetry

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Anne Stevenson
"I work very hard on all my poems, but most of the work consists of trying not to sound as if I had worked. I try to make them sound as natural as possible, but within a quite strict form, which to my ears has a lot to do with musical rhythm and sound."

Work

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Anne Stevenson
"There is far too much literary criticism of the wrong kind. That is why I never could have survived as an academic."

Criticism

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Anne Stevenson
"Peter Lucas and I live in Durham but spend a great of time in North Wales, where we have a cottage in the mountains, and in Vermont, USA, with my sister - who is a children's writer married to a poet."

Time

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Anne Stevenson
"I have always made my own rules, in poetry as in life - though I have tried of late to cooperate more with my family. I do, however, believe that without order or pattern poetry is useless."

Life

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