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"My playing started to develop through the Miles Davis stuff I was listening to."
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"To Become an Attentive Listener . . . Observe a person's physical presence to see how their body language aligns with their message. Recognize what is being said on the surface. Engage your intuition to hear the meaning, purpose, and motivation behind their message. Be aware of your own internal responses and how you are feeling. Put yourself in their shoes to better understand their perspective."

"How do you know when to advance the conversation or when there's something still unresolved? When you are situationally aware, you watch the body language and notice the cues that are given to you. Listening and observing are being mindful in the best sense of the word."

"You can have the perfect message, but it may fall on deaf ears when the listener is not prepared or open to listening.These listening "planes" were first introduced by the American composer Aaron Copland (1900-1990) as they pertain to music . . . 1. The Sensual Plane: You're aware of the music, but not engaged enough to have an opinion or judge it.2. The Expressive Plane: You become more engaged by paying attention, finding meaning beyond the music, and noticing how it makes you feel.3. The Musical Plane: You listen to the music with complete presence, noticing the musical elements of melody, harmony, pitch, tempo, rhythm, and form."

"How often have I noticed or, indeed, listened to him? We talk, but do I actually listen, or is our conversation mainly a question of my waiting for him to stop and for it to be my turn to say something? For how many of us is that what conversation means - the setting up of our lines?"

"Live, share and learn the art of true deep listening. The main keys are honesty and humility.Cultivate good filters in the mind. Conquer and tame the ego. If words and actions pass from your lips, sights and tapping words in the keyboard, don't forget to ask first, "Is it true, necessary and kind?"

"During a conversation, listening is as powerful as loving."
Explore more quotes by Robert Quine

"I was coerced into taking piano lessons in the early '50s. It was a quite unpleasant experience."

"I really feel fortunate to have been around then because there have been good and bad years in rock but the best years were '55 to early '61. I got to see Buddy Holly and everybody else."

"By then I was in Brooklyn and drank my way through that summer. I stopped when I got sick of that and got a job at the Strand bookstore, which was a little better than the tax job."

"I think Blank Generation holds up pretty well. You listen to that with headphones and there's a lot going on there with the guitars- it's the product of a lot of fighting."

"I quit the tax job then and decided that I was going to play in a band. I answered ads in the Village Voice and went through two days of auditioning for bands."
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