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Kenneth Anger

"I've never made a film using dialogue or speech."

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"I've never made a film using dialogue or speech."

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"Looper is another great film."

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"The things that I've done that have totally been remembered, they've always started with the same kind of engine, they've always started with someone saying 'I have to make this film - I'm going to make this film whatever the odds'."

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"Working on such a big film was amazing. I learned a lot. There weren't too many stunts, just some doubling."

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"As a matter of principle, I always come to a film like a blank slate, I don't learn my lines in advance. With this approach, I feel clean."

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"It's gotten to the point where it's big news when I don't do a horror film."

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"This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased."

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Donna Grant

"So I used formal techniques to make the film more perceptive emotionally."

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Donna Grant

"Right after I did 'The Fountain,' I wanted to go make a documentary or something that was less constructed - more natural. I was searching for a project, and sniffing around, 'The Wrestler' fit right in."

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Kenneth Anger
"Nobody in America, in the modern generation, has read their mythology or legends."
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Kenneth Anger
"I have a problem with censorship by the lawyer - by legal people by the publishing firm, and I may be changing publishers. They don't seem to want to take too many risks with living people."
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Kenneth Anger
"I've never made a film using dialogue or speech."
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Kenneth Anger
"Some very famous directors have started in the mail room, which is just getting inside the studio, getting to know people, getting to know the routine."
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Kenneth Anger
"The music rights at the time cost me $12,000 in 1964 money, which is about double now or whatever. But I cleared everything. I had a lawyer in New York. And it was cleared for use in a short subject, not a feature."
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