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Danny Elfman

"I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way through that I would never be doing that again. It's just not me. I really am happy as a part-time film composer, not a full-time film composer."

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"I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way through that I would never be doing that again. It's just not me. I really am happy as a part-time film composer, not a full-time film composer."

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Akshay Vasu

"I use cinematic things in a theatrical way on stage, and in film I use theatrical techniques in a cinematic way."

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Personal Development

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Akshay Vasu

"Film gives us a second chance at a first impression."

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Personal Development

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Akshay Vasu

"You are probably right when you say that I could get a role in any producer's film if I just asked."

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Personal Development

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Akshay Vasu

"Looper is another great film."

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Personal Development

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Akshay Vasu

"When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it."

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Personal Development

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Akshay Vasu

"The director is the only person who knows what the film is about."

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Personal Development

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Akshay Vasu

"In any film there's always a historical implication."

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Personal Development

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Akshay Vasu

"For me, the film has to be incredibly bad to make me want to pack up and leave."

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Personal Development

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Akshay Vasu

"He considers the theatrical version of Fanny and Alexander an amputated version of what his original film was, and he doesn't really like the shorter film."

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Personal Development

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Akshay Vasu

"When I made my first film, I didn't think of it as directing, so it wasn't like I set out to become a director."

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Danny Elfman
"I can't get that live and I don't have the time to take the tape, after I've finished recording it, into a little studio somewhere else where I can get a different kind of percussion sound."

Time

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Danny Elfman
"In some types of music I'm working out all the chords one bar at a time - the whole structure, because it's about that. And there are other pieces which are really about - okay, the melody is going to start here and play through to here."

Music

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Danny Elfman
"I really liked doing a number of the projects and directors, and etc., etc., I knew about half-way through that I would never be doing that again. It's just not me. I really am happy as a part-time film composer, not a full-time film composer."

Film

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Danny Elfman
"I don't see myself necessarily having a burning desire to write a symphony."

Desire

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Danny Elfman
"The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult."

Beauty

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Danny Elfman
"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."

Action

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Danny Elfman
"Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room."

Reason

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Danny Elfman
"It sounds really stupid, I hate making cosmic comments like this but, I just let it do what it wants to do."

Hate

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Danny Elfman
"Oh see, first off you gotta realize - everything for me is a reconstruction or deconstruction. I would actually say deconstruction. Mission: Impossible would be the exception. That would be a reconstruction- deconstruction."

First

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Danny Elfman
"I had to do this very aggressive, big score in a very short time, and knowing that in the beginning, middle, and end would be this very, very famous theme, but I still had to weave a score around it and make it work as a score was really challenging."

Work

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