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Robert Fitzgerald

"One should indeed read Pope with his notes available, in the Twickenham edition possibly, to see what a vast amount he did understand about Homer."

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"One should indeed read Pope with his notes available, in the Twickenham edition possibly, to see what a vast amount he did understand about Homer."

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Akiroq Brost

"If one cannot enjoy reading a book over and over again, there is no use in reading it at all."

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"Read for the sake of using others knowledge to find your own inner guidance."

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Akiroq Brost

"I read a lot, but I read about the areas that I'm interested in."

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Akiroq Brost

"I speak Urdu quite a lot, too, and I read a lot of Persian."

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Akiroq Brost

"Some readers read a book as if it were an instruction manual, expecting to understand everything first time, but of course when you write, you put into every sentence an overflow of meaning, and you create in every sentence as many resonances and double meanings and ambiguities as you can possibly pack in there, so that people can read it again and get something new each time."

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Akiroq Brost

"Besides the actual reading in class of many poems, I would suggest you do two things: first, while teaching everything you can and keeping free of it, teach that poetry is a mode of discourse that differs from logical exposition."

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Akiroq Brost

"You hit somebody with your fist and not with your fingers spread."

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Akiroq Brost

"When someone tells me to 'just relax,' I wonder why they don't hand me a book?"

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Akiroq Brost

"Take no heed of her.... She reads a lot of books."

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Akiroq Brost

"I had been a student in Vienna, and one of the neat little things I had found out was about that zoo. It was a good debut novel for me to have published. I was 26 or 27 when it was published. I already had a kid and would soon have a second."

Explore more quotes by Robert Fitzgerald

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Robert Fitzgerald
"In fact, eloquence in English will inevitably make use of the Latin element in our vocabulary."
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Robert Fitzgerald
"Poetry is at least an elegance and at most a revelation."
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Robert Fitzgerald
"The heart of the matter seems to me to be the direct interaction between one's making a poem in English and a poem in the language that one understands and values. I don't see how you can do it otherwise."
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Robert Fitzgerald
"I would then go on to say that Homer, as we now know, was working in what they call an oral tradition."
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Robert Fitzgerald
"Yes, and there were changes of light on landscapes and changes of direction of the wind and the force of the wind and weather. That whole scene is too important in Homer to neglect."
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Robert Fitzgerald
"The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it."
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Robert Fitzgerald
"Yes, living voices in a living language, so it seemed to us."
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Robert Fitzgerald
"Words began to appear in English and to make some kind of equivalent. For what satisfaction it is hard to say, except that something seems unusually piercing, living, handsome, in another language, and since English is yours, you wish it to be there too."
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Robert Fitzgerald
"Of course the other and more serious way in which it all happens is that one finds in poems and language some quality one appropriates for oneself and wishes to reproduce."
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Robert Fitzgerald
"Well, with the French language, which I understood and spoke, however imperfectly, and read in great quantities, at certain times, the matter I suppose was slightly different from either Latin or Greek."
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