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"One should indeed read Pope with his notes available, in the Twickenham edition possibly, to see what a vast amount he did understand about Homer."
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"I don't think I make much of a distinction between the 'real' and the 'fantastic.' They both seem to be threads in the same cloth as far as I'm concerned."

"Reading takes time, and the glass teat takes too much of it."

"It can't be supposed," said Joe. "Tho' I'm oncommon fond of reading, too."Are you, Joe?"Oncommon. Give me," said Joe, "a good book, or a good newspaper, and sit me down afore a good fire, and I ask no better. Lord!" he continued, after rubbing his knees a little, "when you do come to a J and a O, and says you, 'Here, at last, is a J-O, Joe,' how interesting reading is!"

"I think that every reader on earth has a list of cherished books as unique as their fingerprints....I think that, as you age, you tend to gravitate towards the classics, but those aren't the books that give you the same sort of hope for the world that a cherished book does."

"Reading, solitude, idleness, a soft and sedentary life, intercourse with women and young people, these are perilous paths for a young man, and these lead him constantly into danger."

"The only important thing in a book is the meaning that it has for you."

"Just as one spoils the stomach by overfeeding and thereby impairs the whole body, so can one overload and choke the mind by giving it too much nourishment. For the more one reads the fewer are the traces left of what one has read; the mind is like a tablet that has been written over and over. Hence it is impossible to reflect; and it is only by reflection that one can assimilate what one has read. If one reads straight ahead without pondering over it later, what has been read does not take root, but is for the most part lost."

"And what is the use of a book," thought Alice, "without pictures or conversation?"

"Those who are incapable of committing great crimes do not readily suspect them in others."
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"Well, maybe so, although I don't think I am particularly gifted in languages. In fact, oddly enough, it may have something to do with my being slow at languages."


"Homer's whole language, the language in which he lived, the language that he breathed, because he never saw it, or certainly those who formed his tradition never saw it, in characters on the pages. It was all on the tongue and in the ear."


"The invention of Bob Dylan with his guitar belongs in its way to the same kind of tradition of something meant to be heard, as the songs of Homer."


"Is encouragement what the poet needs? Open question. Maybe he needs discouragement. In fact, quite a few of them need more discouragement, the most discouragement possible."


"I think it was lucky that during most of the work on the Odyssey I lived on Homer's sea in houses that were, in one case, shaken by the impact of the Mediterranean winter storms on the rocks below."


"Yes, and there were changes of light on landscapes and changes of direction of the wind and the force of the wind and weather. That whole scene is too important in Homer to neglect."


"I would then go on to say that Homer, as we now know, was working in what they call an oral tradition."


"The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it."


"Now, the language that had grown up and formed itself on those principles is what one is dealing with, and the problem is to bring a work of art in that medium into another medium formed on different principles and heard and understood in a different way."
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