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Diana Gabaldon

"But I talk to you as I talk to my own soul," he said, turning me to face him. He reached up and cupped my cheek, fingers light on my temple."And, Sassenach," he whispered, "your face is my heart."

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"But I talk to you as I talk to my own soul," he said, turning me to face him. He reached up and cupped my cheek, fingers light on my temple."And, Sassenach," he whispered, "your face is my heart."

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Angie karan

"When does one think of God? It is when he gains something from Him, when love for Him arises!"

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Personal Development

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Angie karan

"I Want you to know one thing, I will always be true to you, and I will always say to you, I love you."

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Personal Development

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Angie karan

"Because in truth, my love, if you have thought of me once then I have thought of you a thousand times. You have captured my heart. It is yours. I am at your mercy now."

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Personal Development

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Angie karan

"Prayer is supposed to be a fellowship."

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Personal Development

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Angie karan

"To calculate sacrifice is to attempt to sacrifice safely, and safe sacrifice is one of the most outrageous oxymoron's I can think of."

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Personal Development

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Angie karan

"Prayer is supposed to be interaction with God."

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Personal Development

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Angie karan

"Our prayers are something akin to delivering a list, verses surrendering a life. The former will always leave me creating the next list, while the latter will leave me creating a new life."

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Personal Development

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Angie karan

"Anyone who wants a Prakruti (relative self) that brings worldly benefits, they should worship Mataji,the goddess mother. And those who want Moksha [ultimate liberation] should worship the Soul [Real Self]. Those who want both should worship both."

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Personal Development

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Angie karan

"Jump, if you want to, 'cause I'll catch you, girl. I'll catch you "fore you fall. Go as far inside as you need to, I'll hold your ankles. Make sure you get back out. I'm not saying this because I need a place to stay. That's the last thing I need. I told you, I'm a walking man, but I been heading in this direction for seven years. Walking all around this place. Upstate, downstate, east, west; I been in territory ain't got no name, never staying nowhere long. But when I got here and sat out there on the porch, waiting for you, well, I knew it wasn't the place I was heading toward; it was you. We can make a life, girl. A life."

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Personal Development

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Angie karan

"In a sweet way, my thoughts, are embedded in love."

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Personal Development

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Diana Gabaldon
"Don't let characters talk pointlessly-they only talk if there's something to say."

Writing

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Diana Gabaldon
"For the moment, everything had disappeared: the church, the battle, the screams and shouts and the rumble of limber wheels along the rutted road through Freehold. There wasn't anything but her and him, and he opened his eyes to look on her face, to fix it in his mind forever."

Presence

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Diana Gabaldon
"Would he ever come back? He wondered. The water filled his ears with its own rush, and he was comforted by the realization that, in fact, he never left."

Belonging

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Diana Gabaldon
"Dialogue doesn't take place in a vacuum. Dialogue is contradictory, in that it can either speed up or slow down a passage."

Dialogue

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Diana Gabaldon
"He has cat blood, I reflected sourly, no doubt that was how he managed to sneak up on me in the darkness."

Observation

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Diana Gabaldon
"Ye are Blood of my Blood, and Bone of my Bone,I give ye my Body, that we Two might be One.I give ye my Spirit, 'til our Life shall be Done."

Union

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Diana Gabaldon
"He was generally aware that he had been blessed in her beauty; even in her usual homespun, knee-deep in mud from her garden, or stained and fierce with the blood of her calling, the curve of her bones spoke to his own marrow, and those whisky eyes could make him drunk with a glance. Besides, the mad collieshangie of her hair made him laugh."

Admiration

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Diana Gabaldon
"Its appearance was greeted with cries of rapture, and following a brief struggle over possesion of the volume, William rescued it before it should be torn to pieces, but allowed himself to be induced to read some of the passages aloud, his dramatic rendering being greeted by wolflike howls of enthusiasim and hails of live pits."

Enthusiasm

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Diana Gabaldon
"As a rule of thumb, four consecutive lines of dialogue is about as much as you want to have without a tag."

Writing

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Diana Gabaldon
"Once you've chosen a man, don't try to change him, I wrote, with more confidence. It can't be done. More important -- don't let him try to change you. He can't do it either, but men always try."

Autonomy

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