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Maurice Jarre

"Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece."

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"Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece."

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Akiroq Brost

"Time does not change us. It just unfolds us."

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Akiroq Brost

"The stakes in conflict do not change. Battle determines who will control the wealth or its equivalent."

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Akiroq Brost

"When things break, it's not the actual breaking that prevents them from getting back together again. It's because a little piece gets lost - the two remaining ends couldn't fit together even if they wanted to. The whole shape has changed."

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Akiroq Brost

"Don't manage - lead change before you have to."

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Akiroq Brost

"Every misfortune is a fortune."

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Akiroq Brost

"No, what is important is neither linearity or non-linearity, but the change, the degree of change from something that doesn't move to other events with different tempos in particular."

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Akiroq Brost

"And I like the idea of change. Because I don't see why we should hang a painting on the wall and then just not think of it anymore because it's there like a piece of furniture."

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Akiroq Brost

"It's quite nice to see that I didn't have to change who I was to reach two very different types of people."

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Akiroq Brost

"They change. They're different. There are no two alike, that's the miracle of it. But if they have something to teach the students. You can see them writing during the show."

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Akiroq Brost

"We ask the great masses of India to be patient a short time longer, while the cause of freedom is being fought out, not because we want to delay, but because the hard facts of war make a complete change impossible at the moment."

Explore more quotes by Maurice Jarre

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Maurice Jarre
"For Ryan's Daughter I used a total of eight harps, something that was, at least, weird."
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Maurice Jarre
"Some months ago, while I was preparing a new work, I told a young cinema executive my intention of including in a soundtrack two themes from Bach. But when he asked me which has been the last hit from that Bach?, then I knew that I had no longer place in cinema."
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Maurice Jarre
"In that long sequence, when Lawrence enters in the desert to rescue a lost man, Lean listened the music I wrote and wanted to extend the scene to let my work stay completely."
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Maurice Jarre
"But, yes, now I wouldn't do some of those soundtracks the way I did them."
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Maurice Jarre
"The idea in The Man that Would Be King was that the music should recreate all that majestic surrounding and emphasize the adventure, but also speak about the frustration or, rather said, the curse of both protagonists, even before happened what happens them."
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Maurice Jarre
"My parents did not have any interest in music."
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Maurice Jarre
"With Hitchcock I had little relationship. I was called to replace Bernard Herrmann, his favorite composer, in Torn Curtain, after the bitter fight between them."
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Maurice Jarre
"Soon I worked during twelve years in theater works of the prestigious Theatre National Populaire. It was the best time of my life, the most difficult, the most interesting, the most exciting."
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Maurice Jarre
"When I was 15, I did not know nothing about what concerned the world of music."
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Maurice Jarre
"Nowadays, if a studio assumes that his film is bad, there is always an executive that gets more nervous than usual and thinks that if they change the music, the film will become a masterpiece."
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