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"I frequently compose out the entire metric structure of a piece in modified cyclic form, where each cyclic revolution undergoes some form of 'variation' much as if measure lengths were concrete musical 'material.'"
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"We imagined ourselves as the Sons of Liberty with a mission to preserve, protect, and project the revolutionary spirit of rock and roll. We feared that the music which had given us sustenance was in danger of spiritual starvation. We feared it losing its sense of purpose, we feared it falling into fattened hands, we feared it floundering in a mire of spectacle, finance, and vapid technical complexity."

"The revolution that counts is the one that takes place in the imagination; many kinds of change issue forth thereafter, some gradual and subtle, some dramatic and conflict-ridden--which is to say that revolution doesn't necessarily look like revolution."

"One can take the path of revolution but the revolution should not give a shock to the society. There is no place for violence in revolution."

"A revolution is interesting insofar as it avoids like the plague the plague it promised to heal."

"The greatest and most powerful revolutions often start very quietly, hidden in the shadows. Remember that."

"It is the end. But of what? The end of France? No. The end of kings? Yes."

"The revolution of today is the oppression of tomorrow."

"The revolution of consciousness is connected to the food revolution."

"You can carry out a spiritual revolution by making God's truth the head of everything."

"We are not subjects of a State founded upon law, but members of a society founded upon revolution. Revolution is our obligation: our hope of evolution. The Revolution is in the individual spirit, or it is nowhere. It is for all, or it is nothing. If it is seen as having any end, it will never truly begin."
Explore more quotes by Brian Ferneyhough


"When I speak of "cycles," I am referring to lengthy intervals of relative homogeneity, if not in the resolving of problems, than at least with respect to the consistency of their capacity to productively irritate."


"The past nine years in San Diego have represented such a period of questioning."


"The idea of 'machine assemblage' is, especially, very alien to my sensibility, since it suggests a relative indifference of the strata to one another during the process of construction."
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