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Cab Calloway

"Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club."

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"Everybody that you could name would join in our audiences from, Laguardia on down. Everybody came. Everybody came to the Cotton Club."

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Amber Hurdle

"I can play a man who's despicable. But I'll still look inside him to find a point of connection. If I can find that kernel, audiences will relate to me."

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Amber Hurdle

"We're making a commercial Hindi film catering to all types of audiences."

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Amber Hurdle

"I find that here in the States, audiences are generally less knowledgeable, from the cognitive point of view, though they are emotionally more receptive."

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Amber Hurdle

"I'm thrilled at the moment because our audiences, you know, they... the demographic is 50% male."

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Amber Hurdle

"Lenny Bruce is a very moral man trying to improve the world and trying to make audiences think."

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Amber Hurdle

"When they tested Fatal Attraction, the audiences were so upset by her behavior, they literally demanded her blood."

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Amber Hurdle

"I relate to the audiences and they know me. It's pretty real."

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Amber Hurdle

"If you look at my audiences, even in Europe, they're hardly teenagers."

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Amber Hurdle

"I don't think you can really make television based on what you think audiences want. You can only make stories that you like, because you have to watch it so many times."

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Amber Hurdle

"Children are the most wonderful audiences. What's struck me most is that that they watch it so silently, until the end when they shriek and shout and clap."

Explore more quotes by Cab Calloway

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Cab Calloway
"It's very difficult to photograph an opera. And they messed up on it. It just wasn't there. And I don't blame the Gershwins for taking it away. Of course, if they had gotten the original company to have done it, it would have been very good."
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Cab Calloway
"90%, 100% are going there to hear the singing. The story is another thing. Nobody's interested in the story. Happiness is happiness."
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Cab Calloway
"The only credit I can give them. They synchronize wonderful. That's all. They synchronize very - you would have thought that they were actually acting, but they were synching all the time, and that's a rough job."
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Cab Calloway
"That's what George wrote! He wrote it. Why change it? There was this European company that I was speaking about awhile ago - course, didn't nobody know what Porgy was."
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Cab Calloway
"I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were."
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Cab Calloway
"What opera isn't violent? Two things happen, violence and love. And other than that, name something else. You can't."
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Cab Calloway
"You don't think it was because a white man wrote it, a black man wrote it, a green man wrote it. What - doesn't make a difference! Doesn't make a difference. I think he did a good job."
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Cab Calloway
"Bubbles was a very good dancer. Tremendous dancer. He was one of our leading dancers of the country at that time. And, of course, he didn't have much of a voice."
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Cab Calloway
"My audience was my life. What I did and how I did it, was all for my audience."
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Cab Calloway
"He was a silly guy. Out - do the other guy. That was his effort at all times."
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