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Margaret Atwood

"She imagines him imagining her. This is her salvation.In spirit she walks the city, traces its labyrinths, its dingy mazes: each assignation, each rendezvous, each door and stair and bed. What he said, what she said, what they did, what they did then. Even the times they argued, fought, parted, agonized, rejoined. How they'd loved to cut themselves on each other, taste their own blood. We were ruinous together, she thinks. But how else can we live, these days, except in the midst of ruin?"

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"She imagines him imagining her. This is her salvation.In spirit she walks the city, traces its labyrinths, its dingy mazes: each assignation, each rendezvous, each door and stair and bed. What he said, what she said, what they did, what they did then. Even the times they argued, fought, parted, agonized, rejoined. How they'd loved to cut themselves on each other, taste their own blood. We were ruinous together, she thinks. But how else can we live, these days, except in the midst of ruin?"

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"All you have to do, I tell myself, is keep your mouth shut and look stupid. It shouldn't be that hard."
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"Things that are falling apart encourage me: whatever else, I'm in better shape than they are."
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"I shouldn't have taken a vow of silence, I told myself. What did I want? Nothing much. Just a memorial. But what is a memorial, when you come right down to it, but a commemoration of wounds endured? Endured, and resented. Without memory, there can be no revenge."
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"Why is it that night falls, instead of rising, like the dawn? Yet if you look east, at sunset, you can see night rising, not falling; darkness lifting into the sky, up from the horizon..."
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"I was taking something away from her, although she didn't know it. I was filching. Never mind that it was something she apparently didn't want or had no use for, had rejected even; still, it was hers, and if I took it away, this mysterious "it" I couldn't quite define."
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"Is there no end to his diguises of benevolence?"
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"If your not annoying somebody, you're not alive."
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"There is never only one, of anyone."
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"For me the experience of writing is really an experience of losing control. I think it's very much like dreaming or like surfing. You go out there and wait for a wave, and when it comes it takes you somewhere and you don't know where it'll go."
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Margaret Atwood
"Better not to invent her in her absence. Better to wait until she's actually here. Then he can make her up as she goes along."
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