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"You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff."
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"Even though you are on the right track - you will get run over if you just sit there."
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Personal Development
"To do a great right do a little wrong."
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Personal Development
"I have found that a smile and a stick will carry you through all right, and in ninety-nine cases out of a hundred it is the smile that does the trick."
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Personal Development
"No individual has any right to come into the world and go out of it without leaving something behind."
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Personal Development
"It is right to be contented with what we have, never with what we are."
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Personal Development
"I'm not perfect in my walk but I want to do the right thing."
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Personal Development
"The right moment wears a full head of hair: when it has been missed, you can't get it back; it's bald in the back of the head and never turns around."
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Personal Development
"I've known what it is to be hungry, but I always went right to a restaurant."
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Personal Development
"If an adult uses violence on a child, the child will naturally assume that he too, has the right to use it on one smaller or weaker."
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Personal Development
"This is not the most right I've ever been."
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"It's hard to get a film, you know, you need a very special film to be able to get that experimental. But, I would love to see that happen. I would love the opportunity to be more experimental than I am."
Love
"The first thing I do is lay out that melody and figure out how it has to hold here and then finish to land here, because you know in advance you're going to want the melody to catch four things in the action."
Action
"Sometimes I like them artificial and sometimes I like them real. And the reason is because sometimes I like a real close sound. And I like a very specific snare sound and I can't get that in the big room."
Reason
"I'm trying to interpret the film through the director's head, but it all comes out through me. So, a composer is kind of like a psychic medium."
Film
"I like creating these rhythmic patterns. These interlocking rhythmic things are really fun."
Fun
"It's just hard. I wish the studios felt there was more value in these themes and these pieces of material - that they're worth protecting more. Because then it just wouldn't happen. If the studios cared, the stuff would be stopped in a second."
Values
"Oh see, first off you gotta realize - everything for me is a reconstruction or deconstruction. I would actually say deconstruction. Mission: Impossible would be the exception. That would be a reconstruction- deconstruction."
First
"The beauty of a main title is that you establish your main theme and maybe a bit of your secondary theme. You plant the seed that you're going to go water later in the score. And so, having that removed just made it so much more difficult."
Beauty
"In Tim's films, more than most, if you miss the tone, you don't get the film."
Film
"There's kind of a cool feel that happens every now and then. I guess that feel is the thing that makes the score its own score. But, I don't know exactly what that is. So, it's hard for me to answer that question."
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