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Leo Ornstein

"Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided."

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"Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided."

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Donna Grant

"Necessity is not an established fact, but an interpretation."

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Personal Development

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Donna Grant

"Space is almost infinite. As a matter of fact, we think it is infinite."

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Personal Development

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Donna Grant

"Our relationship was cursed by the fact that we agreed on everything."

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Personal Development

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Donna Grant

"As a rule we disbelieve all the facts and theories for which we have no use."

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Personal Development

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Donna Grant

"Our esteem for facts has not neutralized in us all religiousness. It is itself almost religious. Our scientific temper is devout."

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Donna Grant

"The fact that an opinion has been widely held is no evidence whatever that it is not utterly absurd."

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Donna Grant

"Facts and Facts, very useful once out there and there!"

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Personal Development

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Donna Grant

"Almost any biographer, if he respects facts, can give us much more than another fact to add to our collection. He can give us the creative fact; the fertile fact; the fact that suggests and engenders."

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Personal Development

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Donna Grant

"What keeps us from abandoning ourselves entirely to one vice, often, is the fact that we have several."

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Donna Grant

"Whoever wishes to keep a secret must hide the fact that he possesses one."

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Leo Ornstein
"In writing music, the structure of each piece is a very important factor."

Music

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Leo Ornstein
"Now, what we are not talking about, what you're really coming to, is what compromises one makes so that the listener understands somewhat of what you're doing, what you're trying to express."

Now

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Leo Ornstein
"Well, no. I believe that it's not at all impossible that some of the performances that I've heard so far by some pianists may be superior to my own playing because those are two totally different acts altogether."

May

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Leo Ornstein
"I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music."

Music

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Leo Ornstein
"Besides merely some pleasure that we get out of the combinations of pitches together and lines, I think that there is some satisfaction that we get in the fact of having this diffuse thing organized very concretely and put onto a frame and have it actually decided."

Fact

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Leo Ornstein
"No, I think that a person writes a poem because they have an inner urge of something that they want to express, and I think it's that inner urge that you want to express when you write a piece of music."

Music

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Leo Ornstein
"The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment."

Difference

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Leo Ornstein
"Today, with a recording, he can hear the thing enough times until he really gets acquainted with the language, and then he can begin to make an estimate of the intrinsic, aesthetic value of that piece of music."

Music

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Leo Ornstein
"Today each composer is not only involved in aesthetics, but he's actually trying to create his own language."

Aesthetics

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Leo Ornstein
"I think recordings have been a terrific advance because now, when you have a piece of music, particularly something that appears to the listener very complicated, there's really a push to the world to try to figure out what it was that he was hearing."

Music

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