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Trevor Nunn

"The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable."

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"The film director, in many instances, has to swallow somebody else's decision about the final form of something. It's so hard as to be intolerable."

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"There are goods so opposed that we cannot seize both, but, by too much prudence, may pass between them at too great a distance to reach either."

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"It is only in our decisions that we are important."

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"You must not make hasty decisions because they make you do what you would not have done normally."

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"The decision that has to be made was whether it was material, whether he knew he was lying under oath, whether he did it willfully. I think that's required of any prosecutor who is charged with an investigation of this."

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"One thing that most comic artists avoid is showing decisions. They show action, sure, and they show results, but they don't show (because it's difficult to show) the hero or the villain making a choice."

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"See that the President, the Cabinet and staff are informed. If cut out of the information flow, their decisions may be poor, not made, or not confidently or persuasively implemented."

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"In difficult moments it's sometimes a good idea to ask yourself what it is you most want to be doing and consider how it can be achieved. If it can't, move on to the second best thing."

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"The offhand decision of some commonplace mind high in office at a critical moment influences the course of events for a hundred years."

Explore more quotes by Trevor Nunn

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Trevor Nunn
"If you can't fully believe in your ideas, it very quickly communicates to a group of actors who need something to hold onto. They need to believe that whatever criticism, whatever comment is received, is meant."
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Trevor Nunn
"In my early years, my father was away as a soldier in the war. When he came back, work was very difficult to come by. Even though he was a highly skilled man, a maker of furniture, the payment for that work was very poor."
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Trevor Nunn
"I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera."
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Trevor Nunn
"In my teens, I developed a passionate idolatry for a teacher of English literature. I wanted to do something that he would approve of more, so I thought I should be some sort of a scholar."
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Trevor Nunn
"In the commercial theater, I've been pretty fortunate. The producers that I've worked with have allowed me to define the artistic integrity, the artistic limits of the work."
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Trevor Nunn
"I tend to arrive in the rehearsal process with very strongly developed ideas about what I want to do. But I don't like those ideas to be things that are not subject to change, or subject to development, or subject to challenge."
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Trevor Nunn
"So, through all that early professional career I would occasionally do a musical, a pantomime or a play with songs. The next stop would be a Shakespeare, or an Ibsen, or a play by a brand new writer who had never done anything in the theater before."
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Trevor Nunn
"A lot of performing instincts are involved in the business of direction, but so is analysis and having a sense of literature."
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Trevor Nunn
"Peter Hall was just organizing the Royal Shakespeare Company. It was going to be an ensemble, it was going to be in repertory, it was going to have a home in London as well as in the Midlands, and all of those things were happening at that time."
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Trevor Nunn
"I always believe it's better to have 30 imaginations working on a project, rather than one imagination telling the other 29 what to do."
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