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Jonathan Safran Foer

"Writing's funny, it's like walking down a hall in the dark looking for the light switch, and suddenly you find it, flip it on, and then you discover the hallway you passed through is papered with the novel you've written."

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"Writing's funny, it's like walking down a hall in the dark looking for the light switch, and suddenly you find it, flip it on, and then you discover the hallway you passed through is papered with the novel you've written."

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Amber Hurdle

"The discipline of creation, be it to paint, compose, write, is an effort towards wholeness."

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Amber Hurdle

"Let music ignite your vivid inner colors and bring you harmony inside and out."

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Amber Hurdle

"The idea that people can be improved by being offended will finally have to meet the idea (espoused some of the time by some of the same people) that books, popular songs, movies, television shows, sex videos, and so on are "just fiction" or "just art" and therefore exist "for their own sake" and have no influence. To argue that works of art are "only" fictions or self-expressions and therefore cannot cause bad behavior is to argue also that they cannot cause good behavior. It is, moreover, to make an absolute division between art and life, experience and life, mind and body - a division that is intolerable to anyone who is at all serious about being a human or a member of a community or even a citizen."

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Amber Hurdle

"You read enough books in which people like you are disposable, or are dirt, or are silent, absent, or worthless, and it makes an impact on you. Because art makes the world, because it matters, because it makes us. Or breaks us."

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Amber Hurdle

"Remember that "seeing is believing" puts the cart before the horse. Art is the concrete artifact of faith and expectation, the realization of a world that would otherwise be little more than a veil of pointless consciousness stretched over a gulf of mystery."

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Amber Hurdle

"Editors can be stupid at times. They just ignore that author's intention. I always try to read unabridged editions, so much is lost with cut versions of classic literature, even movies don't make sense when they are edited too much. I love the longueurs of a book even if they seem pointless because you can get a peek into the author's mind, a glimpse of their creative soul. I mean, how would people like it if editors came along and said to an artist, 'Whoops, you left just a tad too much space around that lily pad there, lets crop that a bit, shall we?'. Monet would be ripping his hair out."

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Amber Hurdle

"(The Mona Lisa), that really is the ugliest portrait I've seen, the only thing that supposedly makes it famous is the mystery behind it, Katherine admitted as she remembered her trips to the Louvre and how she shook her head at the poor tourists crowding around to see a jaundiced, eyebrow-less lady that reminded her of tight-lipped Washington on the dollar bill. Surely, they could have chosen a better portrait of the First President for their currency?"

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Amber Hurdle

"The most colorful thing in the world is black and white, it contains all colors and at the same time excludes all."

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Amber Hurdle

"Through pictures, we can imagine and visualize the reflection of the beauties which our eyes can't see."

Explore more quotes by Jonathan Safran Foer

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Jonathan Safran Foer
"What's so horrible about being dead forever, and not feeling anything, and not even dreaming? What's so great about feeling and dreaming?"
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Jonathan Safran Foer
"You only get to keep what you refuse to let go of."
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Jonathan Safran Foer
"I have tutored Little Igor to be a man of this world. For example, I exhibited him a smutty magazine three days yore, so that he should be appraised of the many positions in which I am carnal. 'This is sixty-nine,' I told him, presenting the magazine in front of him. I put my fingers--two of them--on the action, so that he would not overlook it. 'Why is it dubbed sixty-nine?' he asked, because he is a person hot on fire with curiosity. 'It was invented in 1969. My friend Gregory knows a friend of the nephew of the inventor.' 'What did people do before 1969?' 'Merely blowjobs and masticating box, but never in chorus."
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Jonathan Safran Foer
"She took the posters downtown that afternoon. She filled a rolling suitcase with them ... she took a stapler. And a box of staples. And hope. I think of those things. The paper, the stapler, the staples, the tape, the hope. It makes me sick. Physical things. Forty years of loving someone becomes staples and hop."
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Jonathan Safran Foer
"Nine out of ten significant people have to do with money or war!"
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Jonathan Safran Foer
"Let's go to bed. Those four words differentiate a marriage from every other kind of relationship. We aren't going to find a way to agree, but let's go to bed. Not because we want to, but because we have to. We hate each other right now, but let's go to bed. It's the only one we have. Let's go to our sides, but the sides of the same bed. Let's retreat into ourselves, but together. How many conversations had ended with those four words? How many fights?"
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Jonathan Safran Foer
"All that mattered was him looking at me."
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Jonathan Safran Foer
"She wanted more, more slang, more figures of speech, the bee's knees, the cats pajamas, horse of a different color, dog-tired, she wanted to talk like she was born here, like she never came from anywhere else."
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Jonathan Safran Foer
"She was a prism through which sadness could be divided into its infinite spectrum."
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Jonathan Safran Foer
"Fuck You!' [Oskar said] 'Exuse me!' [His mom said] 'Sorry. I mean, screw you.' 'You need a time-out!' 'I need a mausoleum!"
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