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"More than anything, there are more images in evil. Evil is based far more on the visual, whereas good has no good images at all."
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"The resolution to avoid an evil is seldom framed till the evil is so far advanced as to make avoidance impossible."
"When the Devil goeth about like a roaring lion, he goeth about in a shape by which few but savages and hunters are attracted. But, when he is trimmed, smoothed, and varnished, according to the mode: when he is aweary of vice, and aweary of virtue, used up as to brimstone, and used up as to bliss; then, whether he take to the serving out of red tape, or to the kindling of red fire, he is the very Devil."
"I think everything should have an end, an end of the brutal stuff happening home. ENd for the song, end of the film, end of the evil... This how it must go and it will go, if you think that evil has gone it's still here. If you believe in god, that's means that you believe this evil."
"How far the existence of the Academy has influenced French literature, either for good or for evil, is an extremely dubious question."
"The suspicious mind believes more than it doubts. It believes in a formidable and ineradicable evil lurking in every person."
Explore more quotes by Lars von Trier
"I think it's important that we all try to give something to this medium, instead of just thinking about what is the most efficient way of telling a story or making an audience stay in a cinema."
"Only a fool does not fear actors, but you can't beat them, and if you can't beat them, join them, as they say. As I've got older I've become very interested in that part of the work."
"I sit there pouring out my woes year after year, coming up with one enormity after another about my mother and the way she let me down; but it doesn't make me any the less fearful."
"Far be it from me to force anyone into either chess or dressage, but if you choose to do so yourself, in my opinion there is only one way: follow the rules."
"If I made a musical in the beginning of my career, it would have been crane shots and tracking shots and people coming out of cakes and whatever, but these techniques are something that I've left behind me."
"That's the great thing about entering a convent: There are things that you simply can't do, so you don't have to worry about them."
"Actors need bricks to play with, and in fact we rejected all the improvised fragments we had made without a plan. Improvisation without a plan is like tennis without tennis balls."
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